Bungo Japanese Literature Cinema

This is the sixth film in the BUNGO Japanese Literature Cinema (BUNGO Nihon Bungaku Shinema) series dramatizing short stories by the masters of Japanese literature. The original is Dazai Osamu's unfinished last work, and the director is Shinohara Tetsuo, who also directed The Moon and Cabbages (Tsuki to Kyabetsu). Tajima (Yamazaki Masayoshi) wants to break up with his 10 lovers and live with his family, so he devises a plan. He will visit each of his lovers with Kinuko (Mizukawa Asami), a peerless beauty with a vile personality, and tell them all that she is his wife. Will Tajima manage to say good bye to the women?

This is the fifth in the BUNGO Japanese Literature Cinema (BUNGO Nihon Bungaku Shinema, Fumiko no Ashi) series of films depicting Japan's short novels. The original work is a sensual novel by Tanizaki Junichiro's that is full of masochistic fetishism. Old man Tsukagoshi (Terada Minori) takes the geisha Fumiko (Kato Rosa) as his mistress, and delights in caressing her beautiful legs. Tsukagoshi orders the art student Unokichi (Yuki Jyutta) to paint a picture modeling Fumiko, and while he is looking at her legs it arouses memories from his childhood.

This is the fourth film in the BUNGO Japanese Literature Cinema (BUNGO Nihon Bungaku Shinema) series dramatizing short stories by the masters of Japanese literature. The original work was by Akutagawa Ryunosuke, and the film was directed by Kumakiri Kazuyoshi, who also directed NON-KO (Nonko 36 Sai ). One day, Sakurada Ryuichi (Tsukamoto Takashi) visits an Indian magician named Matiram Mithra (Murakami Jun). The magician tells Sakurada, who has asked to be taught magic, that in order to learn magic, he must rid himself of his desires. One month later, Sakurada has the chance to display his magic before his friends, but...

This is the third film in the BUNGO Japanese Literature Cinema (BUNGO Nihon Bungaku Shinema) series dramatizing short stories by the masters of Japanese literature. A film adaptation of a famous work by Mori Ogai that deals with the issue of euthanasia, directed by Togashi Shin, who showed what he could do in films for boys such as Tetsujin 28 (Tetsujin Nijuhachi-go). The criminal Kisuke (Narimiya Hiroki), who killed his brother, is put on a boat and sent to a remote island. Haneda Shobei (Sugimoto Tetta) finds it strange that he has such a clear conscience, and asks him why. Kisuke begins to explain the sad truth of what led him to kill his brother