Star Trek: Discovery

Captain Burnham and the U.S.S. Discovery race to stop Book and Ruon Tarka from launching a rogue plan that could inadvertently endanger the galaxy.

Following a hunch, Captain Burnham tracks Book to an old haunt from their courier days and gets drawn into a high-stakes competition for a powerful weapon.

Tensions rise as representatives from across the galaxy gather to confront the threat of the Dark Matter Anomaly. Zora's new sentience raises difficult questions.

Seeking answers, the U.S.S. Discovery ventures into a subspace rift created by the Dark Matter Anomaly. Meanwhile, Book faces a strange visitor from his past.

Burnham and Book race to evacuate a group of stranded colonists in the anomaly’s path as one of the Federation’s brightest scientists comes aboard the U.S.S. Discovery to do high-stakes research with Saru and Stamets.

Tilly and Adira lead a team of Starfleet Academy cadets on a training mission that takes a dangerous turn. Meanwhile, Burnham is pulled into tense negotiations on Ni’Var.

Burnham and Tilly hunt the killer of a Starfleet officer as Stamets and the science team race against the clock to prevent the anomaly from killing anyone else.

Saru returns to help the U.S.S. Discovery uncover the mystery of an unusually destructive new force. As Burnham leads the crew, she must also find a way to help Book cope with an unimaginable loss.

After months spent reconnecting the Federation with distant worlds, Captain Michael Burnham and the crew of the U.S.S. Discovery are sent to assist a damaged space station – a seemingly routine mission that reveals the existence of a terrifying new threat.

The U.S.S. Discovery crew journey to a mysterious planet in hopes of finding a cure for Georgiou's deteriorating condition. Stamets and Adira make a stunning breakthrough with the newly acquired Burn data.

Osyraa attacks Book's home planet and the Discovery travels there to help. Stamets and Adira investigate The Burn.

While grappling with the fallout of her recent actions, and what her future might hold, Burnham agrees to represent the Federation in an intense debate about the release of politically sensitive - but highly valuable - Burn data.

After receiving a message from Book, Burnham and Georgiou embark on a rogue mission to find him, leaving Saru to pick up the pieces with Admiral Vance. Meanwhile, Stamets forms an unexpected bond with Adira.

After reuniting with what remains of Starfleet and the Federation, the U.S.S. Discovery and its crew must prove that a 930 year old crew and starship are exactly what this new future needs.

Burnham and Adira visit the Trill homeworld while Saru's efforts on the Discovery to help the crew reconnect yield surprises.

Reunited with Burnham, Discovery heads to Earth to find out what has happened to the Federation in the last thousand years.

The crew of the Discovery races to repair their ship after they crash. Tilly & Saru make a first contact looking for Burnham.

Arriving 930 years in the future, Burnham navigates a galaxy she no longer recognizes while searching for the rest of the U.S.S. Discovery crew.

Burnham is stunned when she learns her ties to Section 31 run deeper than she ever fathomed. Armed with the identity of the Red Angel, the U.S.S. Discovery goes to work on its most critical mission to date.

When the Discovery crew infiltrates Section 31's headquarters, suspicions arise that the crew may have a traitor in their midst. Burnham tries to help Spock but her efforts don't go as planned.

Spock and Burnham head to Talos IV, where the process of healing Spock forces the siblings to confront their troubled past. Stamets desperately tries to reconnect with Hugh, while Tyler struggles to shed the crew's suspicions of him due to his past as Voq.

Burnham goes to Vulcan in search of Spock, where she unearths surprising family secrets. In researching what is left of the Red Angel's signal over Kaminar, Pike and Tyler end up in battle with time itself. Georgiou has a few tricks up her sleeve for Leland and Section 31.

When a new signal appears over Saru's home planet, Burnham, Saru and the crew embark on a perilous mission that puts Saru in danger and raises questions about the Red Angel's intentions. Hugh struggles to come to terms with his new reality.

Burnham and the crew navigate a dangerous alien landscape in a race against time to save Tilly's life, but Stamets is not at all prepared for what they find in the process. Section 31 is assigned to help track down Spock, much to Pike's dismay.

A mysterious sphere threatens the U.S.S. Discovery even as May, in her original form, implements a plan that puts Tilly's life in danger. Saru and Burnham's bond grows when Saru is forced to acknowledge a deeply unsettling Kelpien truth. Pike receives new intel on Spock from a loyal friend.

A surprise visitor to the U.S.S. Discovery brings shocking news about Spock and dredges up past regrets for Burnham. Following the asteroid incident, Tilly struggles to keep a grip on her reality. L'Rell's authority on Qo'noS is threatened.

A new signal appears, prompting Stamets' emotional return to the mycelial network and leading Burnham, Pike and Owosekun to a pre-warp planet, where they face a complex ethical dilemma. Tilly's overeagerness lands her in trouble but when the planet - and Discovery's landing party - are threatened, her curiosity may be the one thing that can save them.

After answering a distress signal from the U.S.S. Enterprise, the U.S.S. Discovery welcomes aboard Captain Christopher Pike and begins a new mission to investigate the meaning behind seven mysterious red signals. Michael Burnham grapples with her past growing up on Vulcan with her foster parents and brother Spock.

The crew continues their guise, and Burnham is ordered on a merciless mission to end the resistance in hopes of returning home. Meanwhile, Tilly works on restoring Stamets’ neurofunction.

While in unfamiliar territory, the U.S.S. Discovery crew is forced to get creative in their next efforts to survive opposing and unprecedented forces and return home.

Bypassing Starfleet's orders, Lorca uses the U.S.S. Discovery crew's ultimate asset, the ship itself, in an effort to end the war with the Klingons once and for all.

The U.S.S. Discovery is tasked with a high priority mission to planet Pahvo and learn the science behind the Klingon's cloaking technology.

As the U.S.S. Discovery crew attempts to let loose at a party, an unwelcome visitor comes aboard bringing about a problematic and twisted sequence of events.

The U.S.S. Discovery crew is intrigued by new addition, Lt. Ash Tyler. Sarek seeks Burnham's help, rekindling memories from her past. Admiral Cornwell questions Lorca's tactics.

Lorca unexpectedly finds himself in the company of a prisoner of war, Starfleet Lieutenant Ash Tyler, and a notorious intergalactic criminal, Harry Mudd. Meanwhile, Burnham voices her concerns about the repercussions of the spore drive jumps on “Ripper.”

With tensions and stakes high as Starfleet continues in their efforts to end the war with Klingons, Burnham begins to settle in to her new position aboard the U.S.S. Discovery.

Burnham finds herself aboard the U.S.S. Discovery where she quickly realizes things are not as they seem, including the mysterious Captain Gabriel Lorca.

Face to face with Klingon vessels, the U.S.S. Shenzhou prepares for the possibility of war if negotiations fail. Amidst the turmoil, Burnham looks back to her Vulcan upbringing for guidance.

While patrolling Federation space, the U.S.S. Shenzhou encounters an object of unknown origin, putting First Officer Michael Burnham to her greatest test yet.

A pictorial slideshow presentation of the costume designs as utilized throughout the entire run of the series (without accompanying spoken commentary, only with the series’ score).

Writers, producers, directors, and cast are interviewed about the making of the 10 episodes as well and the epilogue, once they found out the fifth season would be the last.

The cast and showrunners discuss the characters' growth over all 5 seasons.

Sonequa Martin-Green takes fans through her personal journey as Captain Michael Burnham. This entry is particularly bittersweet since season 5 was the last season, and includes reflection on her entire time on Discovery plus a visit behind the scenes of filming the epilogue, where Sonequa Martin-Green and David Ajala in old age makeup meet Sawandi Wilson, the actor who will be playing their adult son, for the first time in the makeup trailer.

A tribute to Olatunde Osunsanmi. Known to most as 'Tunde, he's been a driving force on set in Toronto as the on-site executive producer and in-house director for Discovery. He's by all accounts a very nice guy, and he really took the role of being the "producer on the ground" for all 5 seasons with a lot of heart and dedication to the production.

Focuses on the production departments that make Discovery come to life. Co-showrunner Michele Paradise talks about the pressure of making a high quality show and how it comes down to teamwork to pull off a show.

Cast and crew reflect on the show's lead role and the part's demands on the screen and on the set. It also looks at Martin-Green's performance.

A comprehensive look at story, arc, character evolutions and journeys, and more.

A comprehensive look at sets, production design, and production value with an emphasis on pushing the boundaries of new technologies to facilitate the show creation process.

The stress and difficulties and challenges of shooting a major TV production during the pandemic.

A quick two-minute bonus that shows the new season 3 on-set tradition of doing 15 claps to get the team amped up started with two of the camera crew; camera dolly grip James Parsons introduces the segment.

Showrunner Michelle Paradise provides a personal log about shooting the beginning of season three in Iceland.

Fans have been intrigued by Starship Discovery's Bridge Crew for three seasons. Now, they can immerse themselves in all things crew-related in this behind-the-scenes look showcasing the characters and actors who bring them to life each week.

Traditionally the man behind the mask in Discovery, Kenneth Mitchell is unveiled as Aurellio in the third season. Featuring cast and crew interviews, this emotional and intimate look touches on Kenneth's life with ALS. Discussed on camera for the first time, the featurette highlights how Kenneth's wheelchair was included for his on-screen character, his own take on the various roles he played in Discovery and what those roles mean to the show.

Sonequa Martin-Green takes fans on her season-long journey as Michael Burnham with her personal record of the season and this beloved character.

Featuring interviews with cast and stunt coordinator Christopher McGuire, fans get a behind-the-scenes look at the creation of the stunts from rehearsal to the expertise required to make them safe, believable and executed to perfection.

Jump to the future with the crew of the Discovery as they discuss the new adventures with writers and producers, and dive into how their visions were realized by the cast, sets, costumes and props.

Follow the real life Discovery crew through preparation, shooting and posting the amazing Season Two finale. A true in-depth look at the many talents that come together to bring Discovery to life.

Fans can also catch a one-on-one discussion with makeup artist James McKinnon and L'Rell actress, Mary Chieffo.

A major plot point of the season is the Red Angel. Go behind-the- scenes with producers, directors and Sonequa Martin-Green, along with the craftspeople that created it and made it come to life.

Captain Pike shepherds U.S.S. Discovery through Season Two, but must return to his original command on the U.S.S. Enterprise. The production designer, builders, actors and producers discuss the daunting task of reviving the iconic ship's bridge.

A look at the adventures and plot twists encountered in Season 2 by the crew of the Discovery.

There are some shots that simply can't be done practically when you are set in space. The VFX team, headed by Jason Zimmerman, pushes the envelope every week to create amazing computer graphics to give fans a realistic feel of space.

Producers, craftsmen and actors discuss the design process, the implementation and the performance required to bring characters to life.

Each species has its own fashion style dictated by both culture and physical attributes. Gersha Phillips and her team discuss how costumes inform a character and how they create a spectacular array of clothing, uniforms and armor for every kind of species.

Propmaster Mario Moreira takes fans through the world of Discovery props.

On a show where no location exists in our world, the production and lighting design teams must create every space. Look at the locations and spaces created for Season Two.

Todd Cherniawsky discusses the challenge of keeping canon, yet doing something new and fresh in creating the ships for use in the show. He says that the designs were influenced by large navel vessels (e.g. submarines and surface ships). Taking over for Todd Cherniawsky, Tamara Deverell did production design for the second half of season one and talks about designing the Orion Embassy/Encampment on the Klingon home world.

Creating the CG characters and scenes for the show. Many different shots showing designers, animatics and the final product. Alex Kurtzman comments on how this work has to match the best seen in contemporary movies. Many shots about green screen work done on Stage 16 at Paramount Studios for the pilot episode.

All about creating the phaser, the tricorder and the communicator. There is also discussion about the weapons used by the Klingons and all the props used in the Mirror Universe.

The crew talk about the work to make food that can be use for the various scenes where the cast is eating.

The producers and cast speak to the characterization of the show being about the life journey of Michael Burnham, a woman.

Gersha Phillips talks about creating the uniform for the show. The cast and other member of the costume department comment on the costumes (including the Klingon costumes).

The cast, writers and producers comment on the overall Klingon War arc and many individual episodes.

A behind-the-scenes look at the makeup and prosthetics department on Star Trek: Discovery, as they both modernize well-known Star Trek species like the Klingons, Vulcans and the Andorians, and bring to life a new species, the Kelpiens.

A discussion with executive producer Alex Kurtzman and composer Jeff Russo about creating the Discovery theme and score for the show.

Interviews with producers, writers and stars of Star Trek: Discovery about casting of the debut season.

Sometime after the USS Discovery leaves Qo’noS, the former Emperor Georgiou is running the Orion cabaret. She is approached by a man pretending to be a Trill, but recognized by her as being a Federation operative. He offers her a black Starfleet insignia, inviting her to join a mysterious organization.