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Stewart Lee returns with his BAFTA winning series filmed in front of a live audience at the Mildmay Club in Stoke Newington. Stewart Lee's Comedy Vehicle 4 is full of brand new stand-up material with each episode covering a different topic. Themes this series include patriotism, wealth, islamophobia, the migrant crisis, death, and childhood memories.
Stewart Lee returns with his BAFTA winning series filmed in front of a live audience at the Mildmay Club in Stoke Newington. Stewart Lee's Comedy Vehicle 4 is full of brand new stand-up material with each episode covering a different topic. Themes this series include patriotism, wealth, islamophobia, the migrant crisis, death, and childhood memories.
Stewart discusses childhood memories relating to urine.
Stewart starts to talk about the European migrant crisis, his contribution to the relief effort and Rod Liddle, but something goes awry.
Stewart Lee takes on the subject of death.
Stewart Lee takes on the subject of patriotism.
Stewart Lee takes on the subject of Islamophobia.
Stewart Lee takes on the subject of wealth.
Stewart Lee's award-winning stand-up series returns after a three year absence, as he takes on six new subjects in his own unique style.
Stewart Lee's award-winning stand-up series returns after a three year absence, as he takes on six new subjects in his own unique style.
The third series comes to an end with a look at married life.
Stew takes a look at the capital city, its mayor, its dogs and its oligarchs.
Stew attempts to put the topic of offense into context and introduces his imaginary wives.
Stewart Lee's award-winning stand-up series continues as he explains what satire is.
Stand-up comedy as Stewart Lee tackles immigration fears and an opinionated taxi driver.
Stew shares his thoughts about social media and road signs along the A1 in Northumberland.
All six episodes from the second series of stand-up comedian Stewart Lee's BBC comedy sketch show. Topics in the line of Lee's fire include the dumbing-down of literature, rubbish television presenters, crisps and the hazards faced by Londoners who emigrate to the countryside.
All six episodes from the second series of stand-up comedian Stewart Lee's BBC comedy sketch show. Topics in the line of Lee's fire include the dumbing-down of literature, rubbish television presenters, crisps and the hazards faced by Londoners who emigrate to the countryside.
In this final show in the series, Stewart Lee gives a uniquely personal insight into the workings of government.
Stewart looks at the notion of identity, how different nations define themselves and debunks the myth of one of Britain's greatest national heroes.
Stewart talks about stand-up comedy, adding variety by choosing to sit down and throwing in some guitar-driven songs as a result of his exposure to fellow comedian Tim Minchin, who in a surprising turn of events he actually likes.
Charity is the topic for Stewart Lee's unique brand of stand-up this week, during which he gives Adrian "Toby Jug" Chiles and Russell "Ninjas" Howard a thorough drubbing. Charity was also the topic of the first show in the series, but he was waylaid by different varieties of crisps so they've made him do it again.
Stewart Lee looks at why more and more people are thinking about moving out of London for a taste of life in the countryside and why, upon reflection, that might not be as idyllic as they thought.
In the first of six themed shows, Stewart sets out to explore some ideas about charity, but instead gets sidetracked and ends up talking mostly about crisps.
Arguably one of Britain's finest stand-up comedians returns to TV after a ten year hiatus.
Arguably one of Britain's finest stand-up comedians returns to TV after a ten year hiatus.
Stewart explores the difficulties of making jokes about religion, and how it turns out that most jokes about religion aren't actually about religion at all.
Stewart talks about comedy - how it works, how to do it, and how, having turned forty, he is worried that things might be going downhill.
In the fourth episode of this new series, Stewart comments that it’s not easy making a comedy show about a global financial crisis. But he’s going to give it a go, trying to find out how the financial markets got themselves into this mess and who’s going to get them out of it. He also discovers that destroying your own home just might pay off; that those who put money under the bed and not in the bank were right all along; and – most horrifying of all – in London, one is never more than 10 ft from an estate agent. At least he’s got fond memories of Woolworths, MFI and Zavvi…
Stewart Lee asks whether political correctness really has gone mad, or whether it is just something people say because they don't really understand what it means. Stewart thinks he knows what it means - though the tale of how his attempts to lose weight were ruined by the PC minefield makes him not so sure... not to mention the story of how a lost ballet shoe caused a national scandal.
In the second episode, Stewart casts his eye over the state of British television today, and tries to find out whose fault it is. Along the way, via a sketch, he meets the villagers who, every year, host a bizarre celebration of The Funniest Moment Ever On Television; explains his idea for a sequel to March Of The Penguins; and finds out why Ant and Dec never seem to grow older.
In the first episode of this new series, Stewart looks at the phenomenon of toilet books. Where did they come from? And why? For some reason, someone, somewhere, thought history, fiction, poetry and the like weren’t enough any more, and so they invented celebrity hardbacks, tragic lives and Dan Brown. Stewart takes a look at some of this new lavatory literature, including works by Asher D and Paddy McGinty’s Goat, and finds out what would happen if Dan Brown got a job where he had to break bad news.
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DVD Extra for season 2, with Alan Moore
Stewart Lee curates a night of comedy and music at the Mildmay Club on the Red Button. In this full half-hour compilation, Stewart Lee presents... Paul Sinha, Andrew O'Neill, Nick Pynn, Gail Brand & Mark Sanders and Kevin Eldon.
To accompany his new TV series, Stewart Lee curated a night of comedy and music at the Mildmay Club which is airing on the Red Button after each episode of Stewart Lee's Comedy Vehicle on BBC Two. This week, Stewart Lee presents... Gail Brand and Mark Sanders with their improvised jazz.
To accompany his new TV series, Stewart Lee curated a night of comedy and music at the Mildmay Club which is airing on the Red Button after each episode of Stewart Lee's Comedy Vehicle on BBC Two. This week, Stewart Lee presents... Andrew O'Neill.
To accompany his new TV series, Stewart Lee curated a night of comedy and music at the Mildmay Club which is airing on the Red Button after each episode of Stewart Lee's Comedy Vehicle on BBC Two. This week, Stewart Lee and Nick Pynn perform the song 'Russell Brand's Wedding.'
Exclusive to the Red Button, Stewart Lee curates a night of comedy and music featuring Paul Sinha.
To accompany his new TV series, Stewart Lee curated a night of comedy and music at the Mildmay Club which is airing on the Red Button after each episode of Stewart Lee's Comedy Vehicle on BBC Two. This week, Stewart Lee presents... Kevin Eldon, who talks to Stewart about his return to stand-up, whether his act would work if reversed, and performs a couple of selected songs including 'My CDs jump.'
Stewart Lee talks to Armando Iannucci about his programme on the comedy.
Here's the fourth of Stewart Lee's conversations with Armando Iannucci accompanying his current BBC TV series. He talks about the Global Financial Crisis.
Here's the third of Stewart Lee's interviews with Armando Iannucci made especially for that slender proportion of the viewing public who both enjoy almost annoyingly clever self-satirising comedy, and who own special boxes that enable them to watch extra footage of Dick and Dom at the touch of a red button.
The second interview by Armando Iannucci in a series of six 'Red Button' extras. These accompany each new episode of Comedy Vehicle.
Armando Iannucci interviews Stewart about the content of his show, in what was presumably a pastiche of a Mark Lawson interview on a late night BBC arts programme. It was filmed in dimly-lit black and white, for added pretentiousness. Broadcast as a Red Button Extra.
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