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Home The Daily Show Season 31 Episode 54

April 30, 2026 - Robert Fitzgerald Diggs aka "RZA"

The Daily Show · Season 31 · Episode 54
Josh Johnson dives into Trump's telephonic Iran peace talks, a jab at NASA pick Jared Isaacman s ears, and Republicans insisting racism is over after the Supreme Court guts the Voting Rights Act. Ronny Chieng breaks down why Republicans are celebrating while minorities panic. Jordan Klepper Anal-a-Zones California s pivotal governor race: Eric Swalwell s scandal-plagued exit scrambles the jungle primary, leaving Democrats with a rizzless lineup from Love Actually parodying Tom Steyer to hologram-flexing Matt Mahan. On the right, voters choose between long-talking British expat Steve Hilton and firebrand Sheriff Chad Bianco, all the Village People at once. Legendary Wu-Tang founder Robert Fitzgerald Diggs aka "RZA" joins Johnson to discuss his new film, "One Spoon of Chocolate", detailing its 2012 origins, his sample-driven creative process, and why confronting uncomfortable racism on screen serves a larger message of equality.

Episode Details

Air date, runtime, timezone, and episode position.

Season
31
Episode
54
Air Date
30/Apr/2026
Air Time
23:00
Runtime
32 min

Overview

Episode summary.

Josh Johnson dives into Trump's telephonic Iran peace talks, a jab at NASA pick Jared Isaacman s ears, and Republicans insisting racism is over after the Supreme Court guts the Voting Rights Act. Ronny Chieng breaks down why Republicans are celebrating while minorities panic. Jordan Klepper Anal-a-Zones California s pivotal governor race: Eric Swalwell s scandal-plagued exit scrambles the jungle primary, leaving Democrats with a rizzless lineup from Love Actually parodying Tom Steyer to hologram-flexing Matt Mahan. On the right, voters choose between long-talking British expat Steve Hilton and firebrand Sheriff Chad Bianco, all the Village People at once. Legendary Wu-Tang founder Robert Fitzgerald Diggs aka "RZA" joins Johnson to discuss his new film, "One Spoon of Chocolate", detailing its 2012 origins, his sample-driven creative process, and why confronting uncomfortable racism on screen serves a larger message of equality.

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