POV

Working alone in Iraq over eight months, filmmaker Laura Poitras (Flag Wars, POV) creates an extraordinarily intimate portrait of Iraqis living under U.S. occupation. Her principal focus is Dr. Riyadh, an Iraqi medical doctor, father of six and Sunni political candidate. An outspoken critic of the occupation, he is equally passionate about the need to establish democracy in Iraq, arguing that Sunni participation in the January 2005 elections is essential. Yet all around him, Dr. Riyadh sees only chaos, as his waiting room fills each day with patients suffering the physical and mental effects of ever-increasing violence. My Country, My Country is a powerful mosaic of daily life in Iraq. A co-production with the Independent Television Service (ITVS), produced in association with P.O.V./American Documentary.

From a snowy, small town in northern Michigan to the mountains of Afghanistan, Where Soldiers Come From follows the four-year journey of childhood friends who join the National Guard after graduating from high school. As it chronicles the young men’s transformation from restless teenagers to soldiers looking for roadside bombs to 23-yearold combat veterans trying to start their lives again, the film offers an intimate look at the young men who fight our wars, the families and towns they come from — and the way one faraway conflict changes everything. A coproduction of Quincy Hill Films and ITVS in association with American Documentary | POV, with funds provided by the Corporation for Public Broadcasting. (90:00)

Fondly described as “Talladega Nights meets Catcher in the Rye,” Marshall Curry’s Racing Dreams chronicles a year in the life of three tweens who dream of becoming NASCAR drivers. Though they aren’t old enough for driver’s licenses, Brandon, Josh and Annabeth race extreme go-karts at speeds of up to 70 miles per hour in the World Karting Association’s national series, the “Little League” of professional racing. The film is a humorous and heartbreaking portrait of racing, young love and family struggle. Winner of Best Documentary Feature Award, 2009 Tribeca Film Festival. (90:00)

"There's nobody that's not going to get old — unless they die," says Enola Maxwell at the beginning of this engaging and refreshing film. Through the eyes of six women, aged 65-75, we are treated to a variety of new perspectives on aging, along with such complex and emotional subjects as changing body image, sexuality, family life and dealing with death. Generous portions of insight and good humor provide clues to grappling with these issues that effect us all.

Rich in humor and regional color, this sometimes hilarious film uses the prism of language to reveal our attitudes about the way other people speak. From Boston Brahmins to Black Louisiana teenagers, from Texas cowboys to New York professionals, American Tongues elicits funny, perceptive, sometimes shocking, and always telling comments on American English in all its diversity.

Based on the autobiography of Nicaraguan author Omar Cabezas, Fire From the Mountain is the lyrical, earthy, sometimes humorous account of the author's political journey from student activist to guerrilla to government official. Shaffer's last film, Witness to War: Dr. Charlie Clements, won an Oscar in 1985.

A heartbreaking yet hopeful portrait of three runaway girls with histories of abuse and neglect. Pinky, a Puerto Rican girl, refuses to go to school. Mars, on the streets since age 13, works as a stripper. Martha, who has lived in a dozen foster homes, confronts teenage motherhood. Music, humor, and intimate conversations play against the disturbing reality of these girls' lives.

On a hot summer night in Detroit, Ronald Ebens, an autoworker, killed a young Chinese-American engineer with a baseball bat. Although he confessed, he never spent a day in jail. This gripping Academy Award-nominated film relentlessly probes the implications of the murder in the streets of Detroit, for the families of those involved, and for the American justice system.

The debutante tradition is alive and well. Witness the annual Debutante Cotillion in Washington, DC -- a meticulously planned ritual where networking and meeting people who can help you later are as important to today's debs as the style of the gown or the height of the escort.

An underground, high-security isolation unit at the Federal prison in Lexington, Kentucky, was built to house three female inmates convicted of politically motivated crimes. An international campaign advocates closing the controversial unit on humanitarian grounds.

Gary, a 39 year-old successful animation artist and devout Christian, is pursuing a lifelong dream — to become a woman. A candid, non-sensational and sometimes humorous journey of nearly three years during which Gary prepares physically and emotionally for sex reassignment surgery, the film raises provocative questions about what really makes us men and women.

With a subway platform as his stage and a plastic can as his instrument, 14-year-old Larry Wright is a self-taught drummer with astonishing talent. A rousing tribute to the Harlem youth and the rich culture of the urban streets.

Peter Adair asks 11 people — women and men, gay and straight, from all walks of life — to share their stories about having HIV. Alternately irreverent, candid and soulful, this stirring film is not about being sick; it is about being true to the emotional complexity of being mortal.

Marc Savoy knows only one way to talk about Cajun music -- with the same passion and conviction as the music itself. Legendary filmmaker Les Blank delves directly into the heart of Cajun country to portray a couple devoted to the preservation of Louisiana French culture in both their personal and public lives. The joy of Cajun music, its signature yelps and wails, filter through many of the kitchens, porches, and dance halls of the Savoys' Eunice, LA, community.

Plena is in Puerto Rico what the blues are in the U.S.: a musical expression abounding with romance, daily news, and personal sagas. As the Puerto Rican community grows on the mainland, the infectious rhythms of Puerto Rico's most original contribution to Caribbean urban music are celebrated with gusto.

Complaints of a Dutiful Daughter is a 1994 documentary film directed by Deborah Hoffmann, with her wife, Frances Reid, as cinematographer. It was nominated for an Academy Award for Best Documentary Feature. The film is about the struggle of Doris Hoffman, mother of the director and widow of Albert Einstein's associate Banesh Hoffmann, with Alzheimer's disease.

Well-Founded Fear is a 2000 documentary film from directors Shari Robertson and Michael Camerini. The film takes its title from the formal definition of a refugee under the UN Convention Relating to the Status of Refugees, as a person who deserves protection, "owing to a well-founded fear of persecution for reasons of race, religion, nationality, membership of a particular social group, or political opinion.” The film analyzes the US asylum process by following several asylum applicants and asylum officers through actual INS interviews.

Chronicling the two-year “tree-sit” by environmental activist Julia Hill, examining the controversy over clear-cutting in old-growth Northern California forests. Hill, who took the name Butterfly, is interviewed on a platform more than 100 feet off the ground in the redwood (she calls it “Luna”) she lived in from December 1997 to December 1999 as part of a protest organized by the environmental group Earth First! “By staying in the tree,” she says, “I am completely enwrapped and encased in nature's world.”

“La Boda” (The Wedding) follows a Mexican-American migrant farmworker during the six days prior to her nuptials. Bride-to-be Elizabeth Luis, an American citizen, lives with her parents and seven siblings (six of them sisters) in Texas's Rio Grande Valley, but the family travels frequently to California fields and to their home town, Nuevo Leon, Mexico, where her wedding to Artemio Guerrero is to take place. “Destiny will take us,” he tells director Hannah Weyer, “and that's where we will go.” But he and Elizabeth both suspect that destiny will take them north again.

Stranger With A Camera is a 2000 documentary film by director Elizabeth Barret investigating the circumstances surrounding the 1967 death of Hugh O'Connor. Barret, who was born and raised in the region, explores questions concerning public image and the individual's lack of power to define oneself within the American media landscape. By contrasting multiple perspectives from locals and O'Connor's film crew, Barret weaves a tale of a complexly motivated crime with an insightful exploration of how the media affects the communities it chronicles. The film premiered at the 2000 Sundance Film Festival and later aired on the PBS series P.O.V.

Milford Beeghly discusses his company Beeghly's Best Hybrids.

It is America of the 1950s and 1960s, when a woman's most important contribution to society is generally considered to be her ability to raise happy, well-adjusted children. But for the mother whose child is diagnosed with autism, her life's purpose will soon become a twisted nightmare. Looking for help and support, she encounters instead a medical establishment that pins the blame for her child's bizarre behaviors on her supposedly frigid and detached mothering. Along with a heartbreaking label for her child, she receives a devastating label of her own. She is a "refrigerator mother". Refrigerator Mothers paints an intimate portrait of an entire generation of mothers, already laden with the challenge of raising profoundly disordered children, who lived for years under the dehumanizing shadow of professionally promoted "mother blame."

How black and white populations in Norco, La., have responded to links between a refinery's activities and people's illnesses.

Massacre survivor Denese Becker returns to her Guatemalan village on a journey of self-discovery and to find her roots.

What are the chances that a former prostitute could be elected a Member of the Parliament of New Zealand by a conservative, rural district? What if that person were also a transsexual? The odds may seem daunting, but Georgina Beyer did it.

Musician Arn Chorn-Pond, a survivor of the Khmer Rouge regime, travels to his native Cambodia to face his past.

"In the current frigid national climate facing economic migrants, Carlos Sandoval and Catherine Tambini enter the traumatized world of Farmingville, a previously unassuming Long Island suburb that witnessed the beating and attempted murder of two Mexican day laborers. What the filmmakers find is the very dangerous, two-edged sword of a growing national crisis: on the one side, the community's increasing population of undocumented aliens, who are crowding into single-family dwellings and assembling on early morning street corners, hoping to grab a day's wage; on the other, Farmingville's home-owning families, many of whom have lived there for generations and are watching what they envision as a bucolic little village slipping away."

War Feels Like War is a 2004 British documentary film. It was broadcast in the United States as part of the P.O.V. series. For three months, Spanish filmmaker Esteban Manzanares Uyarra followed five reporters and photographers from Denmark, Norway, Poland, and the United States in Iraq. These journalists circumvented military media control to get access to a different perspective on the Iraq War. As the Coalition of the willing swept into Iraq, some journalists in Kuwait decided to travel in their wake, risking their lives to discover the impact of war on civilians. The journalists include best-selling author P.J. O'Rourke, who was working for ABC Radio, as well as reporters and photographers for news operations ranging from Poland's Radio Zet to Stephanie Sinclair, a photographer for the Chicago Tribune.

Global corporations who buy up local water supplies and sell for profit, including a look at tensions in Bolivia, India and Stockton, Calif.

Chisholm `72: Unbought Unbossed is a PBS P.O.V. documentary about Shirley Chisholm.

The Education of Shelby Knox is 2005 documentary film that tells the coming-of-age story of public speaker and feminist Shelby Knox, a teenager who joins a campaign for comprehensive sex education in the high schools of Lubbock, Texas. TEOSK was an official selection of the Sundance Film Festival in 2005 and aired on PBS’ P.O.V. series that same year. It was directed and produced by Marion Lipschutz and Rose Rosenblatt.

A follow-up to the 1982 Emmy-nominated film Little People, Big Enough is a 2004 documentary film about Anu Trombino, Karla and John Lizzo, Len and Lenette Sawisch, and Sharon and Ron Roskamp, who are all typical Americans in every respect, except that they are dwarfs. Twenty years after her first film, Jan Krawitz finds out what has happened to her subjects. Big Enough was met with high critical acclaim, receiving an Independent Filmmaker Award from the Carolina Film & Video Festival and was aired as part of PBS's Point of View series in 2005.

A story of love, revolution and betrayal, No More Tears Sister explores the price of truth in times of war. Set during the violent ethnic conflict that has enveloped Sri Lanka over decades, the film recreates the courageous and vibrant life of renowned human rights activist Dr. Rajani Thiranagama. Mother, anatomy professor, author and symbol of hope, Thiranagama's commitment to truth and human rights led to her assassination at the age of 35. This documentary recounts her dramatic story through rare archival footage, intimate correspondences, and poetic recreations, exposing the high price that this revolutionary woman paid for her pursuit of justice.

In Japan, baseball is not a pastime — it's a national obsession. And for many of the country's youth, the sport has become a rite of passage, epitomized by the national high school baseball tournament known simply as "Koshien." Four thousand teams enter, but only 49 are chosen to compete in the championship that grips the nation for two weeks every August.

Why do the comic-strip Adventures of Tintin, about an intrepid boy reporter, continue to fascinate us decades after their publication? "Tintin and I" highlights the potent social and political underpinnings that give Tintin's world such depth, and delve into the mind of Hergé, Tintin's work-obsessed Belgian creator, to reveal the creation and development of Tintin over time. Rare and surprisingly candid 1970s interviews reveal the profound insecurities and anxieties that drove Hergé to produce stories that have not only entertained millions of children but also helped to satisfy a personal longing for self-expression. With stunning visual effects, "Tintin and I" takes us on a fascinating journey into the psyche and brilliant work of Hergé, in his own words.